Mark one rectangle over the logo. Every frame gets rebuilt from real texture already in your footage — not blurred, not blocked out. Your video never leaves this tab.
The watermarked pixels are always thrown away. What differs is how the gap gets filled — and only one of these is trying to look like nothing happened.
Borrows real texture from elsewhere in the frame, then rewrites its brightness and colour to match the surrounding pixels. The join disappears. Best over grass, water, fabric, foliage, skin and noisy gradients.
Pulls colour inward from the edges of the rectangle until the gap resolves. Flawless on sky, walls and soft gradients. Over texture it reads as a smudge.
Hide the mark without pretending it was never there. The honest choice for faces, plates and screens — where the point is that something was deliberately removed.
No timeline, no project file, no export settings to learn. The whole tool is one screen.
Drop the file onto the page. It's read straight into a canvas — nothing is sent anywhere, so a 4 GB file opens as fast as a 40 MB one.
Drag a box over the logo and give it a few pixels of margin — most watermarks carry a soft shadow, and leaving that behind is what gives a patch away.
Every frame gets patched and encoded to WebM. Prefer MP4? The tool writes the matching ffmpeg command as you drag, ready to paste.
If the camera is locked off and the logo sits over fine detail — text, a face, a patterned surface — the picture behind it was never recorded in any frame. Rebuild will give you convincing texture, not the truth.
When the shot pans or the subject moves, that missing content does exist in neighbouring frames, but recovering it takes optical-flow tracking across time. That's the job of a full compositing suite, and it's beyond what any single browser tab can do.
And the rectangle stays put. A logo that drifts, bounces or fades needs per-frame masking, which this tool doesn't attempt.